Duruflé Requiem 9/11 Memorial Benefit Concert

I’ll be playing the double bass in a benefit concert on 9/9 and 9/10 for the program shown below. This all-volunteer performance is to honor the five year anniversary of the September 11th disaster, and proceeds will go to benefit the National Disaster Search Dog Foundation. (See this shameless cute puppy photo for more detail on what our concert proceeds go to.) If you would like to get out of the house for a change and hear some beautiful music, you might consider coming to one of these performances:

The Pacific Collegium Presents:
A memorial benefit performance
In support of the National Disaster Search Dog Foundation

  • Christopher Kula, conductor
  • Tonia d’Amelio, soprano
  • Joseph Wright, baritone
  • Susan Matthews, organist
  • Pacific Collegium
  • Pacific Boychoir

— Program —

Finzi, Lo, the full, final sacrifice
Festival anthem for chorus and orchestra

Finzi, Dies natalis
For soprano solo and strings

Duruflé, Requiem
For soloists, chorus and orchestra


Duruflé’s orchestrated setting of the Requiem Mass is a marvel of the liturgical repertoire, as well as being a seminal work of the 20th century Gregorian chant revival.

Lo, the full, final sacrifice is viewed by many as Finzi’s masterwork, though it is little widely known and virtually unheard in its lush orchestral version. A series of musical vignettes around the hymns of St. Thomas Aquinas: Adoro Te devote and Lauda Sion Salvatorem, set in English by the 17th-century poet, Richard Crashaw, it is particularly celebrated for its final Amen in eight-part divisi.

Dies natalis, also by Finzi, sets texts of another 17th-century English metaphysical poet, Thomas Traherne. Accompanied by string ensemble, this work explores in solo voice the innocent ecstasy of a newborn child discovering the world and its wonders anew.

Visit http://www.pacificcollegium.org/ for more information and to purchase tickets for this event.